
To Infinity And Beyond
Few men have ever walked on the moon. But as Alvin Gentry recalls on TrueHoop TV, some that have weren't particularly impressed by the accomplishment. TrueHoop TV » Doc's message for Griffin »
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As crazy as it sounds, baseball was once celebrated for its speed. Into the 1910s — before all of the commercial breaks and visits to the mound — it was possible to play a game in under an hour, says the author Kevin Baker, who is writing a history of baseball in New York City.
To the game’s early poets, baseball’s fast pace was what made it distinctly American. Mark Twain called it a symbol of “the drive and push and rush and struggle of the raging, tearing, booming 19th century!” The 21st century, not so much.
Stripped to its essence, combat is a series of quick decisions and rather precise actions carried out in concert with ten or twelve other men. In that sense it's much more like football than, say, like a gang fight. The unit that choreographs their actions best usually wins. They might take casualties, but they win.
That choreography -- you lay down fire while I run forward, then I cover you while you move your team up -- is so powerful that it can overcome enormous tactical deficits. There is choreography for storming Omaha Beach, for taking out a pillbox bunker, and for surviving an L-shaped ambush at night on the Gitigal.
The choreography always requires that each man make decisions based not on what's best for him, but on what's best for the group.
If everyone does that, most of the group survives. If no one does, most of the group dies. That, in essence, is combat.
The army might screw you and your girlfriend might dump you and the enemy might kill you, but the shared commitment to safeguard one another's lives is unnegotiable and only deepens with time. The willingness to die for another person is a form of love that even religions fail to inspire, and the experience of it changes a person profoundly. What the Army sociologists, with their clipboards and their questions and their endless meta-analyses, slowly came to understand was that courage was love. In war, neither could exist without the other, and that in a way they were just different ways of saying the same thing. ...
The platoon was the faith, a greater cause that, if you focused on it entirely, made your fears go away. It was an anesthetic that left you aware of what was happening but strangely fatalistic about the outcome. As a soldier, the thing you were most scared of was failing your brothers when they needed you, and compared to that, dying was easy. Dying was over with. Cowardice lingered forever.
Heroism is hard to study in soldiers because they invariably claim that they acted like any good soldier would have. Among other things, heroism is a negation of the self -- you're prepared to lose your own life for the sake of others -- so in that sense, talking about how brave you were may be psychologically contradictory. (Try telling a mother she was brave to run into traffic to save her kid.) Civilians understand soldiers to have a kind of baseline duty, and that everything above that is considered "bravery." Soldiers see it the other way around: either you're doing your duty or you're a coward.


Layne Murdoch/NBAE/Getty ImagesOn the Thunder, Kevin Martin made almost 80 percent of his crunch-time shots.Some might want to blame that performance on the loss of James Harden, one of the league's most efficient fourth-quarter scorers in 2011-12. But Harden's replacement, Kevin Martin, led the NBA with an effective field goal percentage of .793 on shots taken in the fourth quarter or overtime with a scoring margin of three or fewer points.